Video content is having its day in the sun.
Video is the media type of the moment. Five years ago your average online news article would consist of text and images, but pay a visit to the Mail Online today, the world’s leading online newspaper, and you will see we have moved on considerably from then.
It is a response to our insatiable appetite for video content. Apps like Meerkat and Periscope are bringing us the ability to broadcast our lives, er, live, to the voyeuristic joy of intrigued strangers. Vine, Snapchat and Instagram give us bitesize video updates from our friends, while most smartphones and tablets are capable of streaming HD video, meaning there’s rarely a reason not to give a video a click.
And what better way to digest information. At the heart of any content marketing strategy is a key message that the content seeks to deliver to its audience, and the right video is more effective at delivering this message than any text or image-based medium. We are lazy beasts after all, and being fed our information through a video stream is much easier than having to deduce our own meaning from pesky words.
For brands, the future of marketing to an online audience will be video-based. Flexible, sharable and engaging, the power of video hasn’t gone unnoticed by Twitter. Their new Promoted Video service (aka native video) has been in beta testing since August 2014 and promises a fast, slick way to promote your video content on the social network.
Previously, promoting video on Twitter required a link to an external site where the video was hosted, such as Youtube or Vimeo, eating into your precious 140 characters and requiring an additional click or tap from the viewer. In an age of shortening attention spans and information overload, an extra click can mean the difference between a solid engagement or a more nebulous ‘impression’. With native video your content is hosted directly within your Twitter newsfeed and is available to be viewed by your audience with a single click/tap.
What is most appealing about this from a digital marketer’s perspective is the analytics this will offer. The new video analytics will be featured within Twitter Ads (alongside the usual metrics and measurements) and will track views, video percentage completion and other data breakdowns. This keeps your entire Twitter campaign all in one place without having to delve into analytics from an external site. This allows for deeper insight and easier reporting, which will help to clearly demonstrate the value of producing video content.
Advertising Isn't Dead
In marketing and PR circles you are constantly hearing prophesies of the demise of one or the other. Advertising is dead! PR is finished! It’s a little like Monty Python’s renowned parrot scene:
“I wish to complain about this parrot what I purchased not half an hour ago from this very boutique.”
“Oh yes, the, uh, the Norwegian Blue...What's, uh...What's wrong with it?”
“I'll tell you what's wrong with it, my lad. 'E's dead, that's what's wrong with it!”
“No, no, 'e's uh,...he's resting.”
“Look, matey, I know a dead parrot when I see one, and I'm looking at one right now.”
“No no he's not dead, he's, he's restin'! Remarkable bird, the Norwegian Blue, idn'it, ay? Beautiful plumage!
The debate over whether advertising is dead and PR is set to take over is one I recently presented to delegates at the PR360 summit. Although I disagree that advertising is done – predictions are that ad spend in the UK will reach £20 billion this year – I do believe that it has had to adapt to digital, whereas PR has found it to be more of a natural fit.
Kevin Roberts, CEO of Saatchi & Saatchi Worldwide, said at the IoD’s Annual Convention back in 2012 that in today’s crazy world strategy is dead, the big idea is dead and management is also dead. But that doesn’t mean marketing is dead. It just means marketing as we know it is dead.
Traditionally the ad world was obsessed with paid and owned, maximising media opportunities and activity on brand-owned channels. It gave co-creation and influencer outreach short shrift - or anything outside of the sanctity of the brand – and has thus fallen out of touch with the conversational, interactive nature of digital media that has been significantly influenced by social.
But that doesn’t mean marketing is dead. It just means marketing as we know it is dead.
That means explicit sales messages seldom work, there's no one-size-fits-all solution and provenance and the brand's values have become massively important, making PR a natural fit. Through its reliance on media relations and making connections with journalists, PR has organically recruited skills that met the need of outreach to bloggers, vloggers and influencers, and it owns this area as a result. But ad land is playing catch-up and is catching up fast.
So here’s the big idea.
It would be remiss of PR firms to rest on our laurels and not to learn from the evolution advertising is currently undergoing. We have to take note of what is happening across the pond and learn, else risk seeing the tables turn. PR is winning the race, but advertising is playing catch up. In a digital world, we have to be constantly adapting in order to survive.
If Facebook hosts news, I'm hiring...
Humans are inherently lazy - and product managers are aware of this.
The swiping motion with which we command our phone screens reduces us to the basest of motor skills we learn virtually at birth, while voice commands have superseded even the remote control as our preferred way to interact with entertainment systems in the home.
I mean, why would I read a whole IKEA instruction manual when I can just watch a video instead? (Just kidding - I don't shop at IKEA).
Facebook, never one to miss a trick where the user experience is concerned, is in talks with media groups about hosting news content within the social network, enabling users to consume entire stories without tapping out to external hosts.
While such an alliance presents obvious gains for Facebook and publishers alike, most of which concern economics and reach, it also throws up plenty of positives for content suppliers and the humble reader too.
As a supplier of branded news, I can see demand for our content growing in-line with audience expectations on the channel and the increased needs of the news outlets we provide to – so more video, more visuals, more copy and more stories in general to meet increased publisher outputs. Happy times.
Additionally, and I may be getting a little ahead of myself here, if Facebook were to pull a Vice and launch a standalone Facebook News sub-brand, then it gives me yet another outlet to sell stories in to and potentially partner with - plus they really don’t come bigger in terms of audience size and segmentation.
Back to the user experience and it’s still good news.
Facebook hosting will make shaping content for social consumption mandatory for publishers, ensuring all outputs are visual, digestible, shareable and mobile – marry this to the convenience of consuming content from multiple outlets in a single space (while also doing all of your social housekeeping) and we could easily save 10-15 minutes a day on our reading time.
Finally, and this is of benefit to reader, platform and content supplier alike, Facebook hosting will lead to deeper engagement and all-round satisfaction – longer reads, greater dwell times, more sharing, increased content performance, happier authors and happier clients.
And for those who fear Facebook dominance, there will always be an alternative – there always is.
Just think of this Facebook/publisher partnership as being one of several labour-saving devices delivered over the years, enabling us to open our ever-expanding daily procrastination window to more cat gifs such as this one and Tinder freaks (I don’t use Tinder).
More Fool You: The Art of Creating Shareable Content
One of my favourite scenes in The Adventures of Huckleberry Finn is when the duke and dauphin put on a makeshift and utterly farcical show called “The Royal Nonesuch” to make a quick buck. The audience on the first night, completely infuriated by what they had paid to see, decided that in order to avoid becoming the laughing-stock of the town they should tell all of their friends and neighbours how great the show was, so the play attracted sell-out audiences night after night until, on the final night, Huck noticed the crowd weren’t newcomers but people who had been there earlier and who had their pockets full of rotten eggs and vegetables. He informed the other guys and they skipped town with a small fortune in door money.
The scam worked because they evoked an emotional response that people shared. The anger of being lured in to a rip-off play by posters that read “ladies and children not admitted” was too much for the audience to supress and they felt compelled to action a response which capitulated on the final night when revenge was nigh. It paints an early and quite entertaining example of how to prompt a shareable action. It may have been a nasty trick, but it’s no more culpable than the first chain emails that promised eternal wealth if you forwarded it to five of your friends (I’m still waiting to cash in on that).
The art of creating shareable content is an age-old concept being carried out on new age platforms. Jonah Peretti, a founder of BuzzFeed, says shareable content is a delicate balance between something that is too shocking or controversial to be shared and something that is so ordinary it gets overlooked or ignored. Finding that happy medium between the two and ensuring it is relatable, engaging, funny or nostalgic is what propelled sites such as Buzzfeed to success, but increasingly digital users are looking to be engaged in order to share.
The digital world has made the art of shareable content both more arduous and more achievable
The digital world has made the art of shareable content both more arduous and more achievable. We’re more connected through social channels but have a shorter attention span and have evolved in the way we consume media. The solution, we have found, is multimedia. The 72Point Media Consumption report found that people are overwhelmingly more likely to share multimedia content on social media such as videos, animations and interactive games.
We recently recreated “The Royal Nonesuch” in an interactive game developed for Interparcel. The game, hosted here, was a ‘super-sharable’ bit of multimedia designed to test your patience, running on the back of a successful MPC (Multi-Platform Content) campaign that can be viewed here. Like the unsuspecting victims of the duke and dauphin’s show, if you’re fooled by the game it makes you more likely to share it in order to dupe your friends into doing the same thing. 21st century trickery at its best; Mark Twain eat your heart out!
To grab the minds of people today, you need content that is quick, visual and, most importantly, memorable enough so that they share it. - Hugh McIntyre
Social Outreach: What Is It and Why You Should Be Doing It
Anyone with an account on a social network has been there. A casual surf through your feed, checking in with friends, dishing out Favourites and Likes as needed. As you scroll you notice posts from accounts that you aren’t familiar with. A number of these go by, but every once in a while one hits its mark, grabs your attention, and demands a click to check out the story.
These are targeted adverts, created to spark traffic from a specific audience to a specific piece of content. We call it Social Outreach.
Now more than ever specialisation is key. New content arrives online in an endless torrent. It’s a wonderful outpouring but it poses a problem when trying to draw an audience for a specific piece of content. How do you get seen in this hectic and shifting landscape? Social Outreach can help by placing an ad for your content in the feeds of social media users, targeting only those who are interested in the topic of your content.
Now more than ever specialisation is key.
For example, say you are working for a company that builds bicycles and you’re looking to promote a new range of mountain bikes. Try targeting social media users who express an interest in cycling and fitness, or have been known to mention topics relating to outdoor pursuits in their updates. You could even get right down into mentions of ‘helmets’, ‘punctures’, ‘downhill’, ‘ATB’, ‘derailleur’, ‘schrader’ – terms that only dedicated cyclists are going to be mentioning. The more specific you can be the less time and money will be wasted placing your content in front of people unlikely to click.
Social outreach requires a nuanced approach to reap the biggest rewards. The most important variables to consider when crafting a successful campaign are all creative ones. First and foremost is the quality of the content you are promoting. Content that taps into the interest of the audience and provides a mix of storytelling, topical subject matter and engaging visuals is more likely to be read, shared and spread organically to a wider audience. This organic momentum, when the story takes on a life of its own, is the ideal outcome for your social campaign.
This organic momentum, when the story takes on a life of its own, is the ideal outcome for your social campaign.
Next to consider are the posts themselves. Both Facebook and Twitter advertising allow you to create variations of your post. This is an opportunity to be adventurous. Try a range of images and text configurations to see which resonates best with your audience. You might create two serious, corporate posts with professional images and direct wording, but mix it up on the next two will some pop culture references and a well-known meme. Inside tip: images of cats and Bill Murray never fail. Create the post that you would want to click on.
The three pillars of Social Outreach, then: killer content, engaging social media posts and a specialised audience. When these three elements align Social Outreach can be one of the most exciting and effective ways to get your content out there.
Posts and Pictures, Lists and Gifs
How Social Media has Shaped Digital News
The rise and increasing influence of social media has created a tricky quandary for digital publications; how do you cater for people who are visually wired, with patience at a premium and an aversion to information overload?
When the first wave of media publications started to establish an online presence there were clear warning signs that a simple ‘copy and paste’ strategy wouldn’t work. Media consumers weren’t migrating online because they found the Telegraph’s broadsheet pages too tough to handle, nor were the inky fingers or recycling headaches motives behind a ‘digital shift’. Online consumers of media had a thirst for a new type of publication, and thus a period of adjustment began.
Social media has shaped the way we interact with the online world. It gives us a role to play which is why we talk of a digital ‘world’ in which people are participants rather than just observers, cogs in the system and so forth. In that way it is by their rules that we comply; 140 character limit on Twitter, the list-like nature of a Facebook timeline and the multimedia-led structures of Instagram, Pinterest and Snapchat. Observe the elements of social media and you will begin to understand the underlying composition of digital media.
The use of visualized information has increased by 400 per cent in online literature since 1990, by 9,900 per cent on the internet since 2007 and by 142 per cent in newspapers. In short that’s because we suffer from information overload in the digital age and thus crave information that can digested quickly, like social media, and media outlets have both been born from this trend and responded to it.
BuzzFeed, for example, dubs itself as a “social news and entertainment company” that “provides shareable breaking news, original reporting, entertainment, and video across the social web” to a global audience of more than 200 million people.The site has become a world-wide phenomenon as a media outlet based on social media concepts and isn’t alone in capitalising on social-led media. And mainstream titles have started to catch up.
Lists, pictures, infographics, videos and Gifs have become a pre-requisite of most posts on sites such as the Mail Online, which is now the world’s biggest newspaper website.
One of our recent surveys commissioned on behalf of Interparcel found Brits are becoming increasingly impatient in general, with the average respondent waiting only ten seconds for a web page or link to load and only 16 seconds for a video to buffer. But as interesting as the results were, the real clever bit is what we did with them when it came to selling the story into the media. Not only did we provide solid news copy that was picked up by The Mail, The Telegraph and Metro but we added infographics, video and list material into the mix that meant it was picked up by countless online sites including The Star, MTV, BT.com, AOL and, of course, Mail Online.
The concluding remark is that if social media is shaping digital news then it must in turn shape how we do PR. At 72Point we have a growing digital team that is keeping ahead of the curve in that regard with exciting new infrastructure and a wealth of expertise, creating social campaigns for a social generation.
72Point Fun and Games
We’re all familiar with the festive well wishes that are sent by suppliers and clients at this time of year. Be they traditional cards, gifts, ecards or ‘hilarious’ animated santas and elves with personalised faces.
This year 72Point decided to do things slightly differently! Thanks to the fabulous work of our in house design studio, Drench, we shared a Christmas game for everyone to play for the chance of winning more sweets than you could ever dream of eating.
The format was a take on the retro Timberman game in which you have to help the lumberjack chop down the tree. With a little bit of design magic the lumberjack became Santa and the tree became dusted with snow!
The game was a huge success with some of our clients taking to it like ducks to water, and battling amongst themselves to get to the top of the leaderboard. In the office we peaked at 495, thinking it was impossible to get scores any higher……how wrong we were! Scores of 600 started to filter through. Then 700, then 8. The final winning score was 957! Outstanding work from Amanda Flanaghan from MEC Global. In fact we must give a special mention to MEC Global who refused to be beaten and reached a staggering company score of 50,078!
Thank you to all the lovely people who sent us a frankly ridiculous abundance of love and photos (which you can see on our Pinterest board, obviously)! It was and always will be our pleasure to show our gratitude (and keep sugar levels dangerously high, of course)…..So from all at 72Point and OnePoll, have a very merry Christmas and very happy New Year.
(Sadly there are no more prizes to award, but you can still play the game at (Christmascuts.com)
Christmas Ads are Coming to Town
It’s the end of November which obviously means it’s been Christmas ad season for months now. That means that every 10 to 15 minutes we’ve had flaming Christmas puddings, girls and boys dressed to the nines and unrealistically wrapped presents thrust upon our eyes.
Every year the nation’s (and the world’s) biggest brands spend thousands if not millions on their Yuletide ads; all trying to be the one that either makes you smile, makes you cry or makes your mouth water with delicious looking food. Every year they succeed and this year is no different.
In fact this year the ads seem bigger and better than ever. I find it hard to go on Facebook or Twitter without someone talking about or making me watch the latest Christmas advert. Pleasingly, this year, there seems to be a nice balance of ads which make you jolly and ads which make you borderline depressed.
Aldi for example, have pushed the boat out this year recruiting king of the Hootenanny, Jools Holland to tinkle the old ivories whilst being blasted with a dozen trumpets….none of which is a euphemism by the way. Then there’s the Debenhams ad showing what to many is the true joy of Christmas, happy smiling kids, running around and laughing. To me the idea of kids running around laughing is enough to make me never leave the house again but even I must admit that the Debenhams ad warms the cockles of my prematurely bitter old heart.
Marks and Spencer have gone down the jolly route with a magical themed ad which sees a couple of fairies making Christmas as special as it can be, whether it’s playing in the snow or having your washing magically upgraded (and consequently left outside on the line, in the cold, wet snow to spoil).
Boots on the other hand have taken a swerve from their normally jolly party mood type ad to focus more on a homage to the nursing industry. Their ad has gone down more the ‘I’m gonna make you cry until you buy one of our products’ route of advertising which seems to be increasingly popular at Christmas.
Obviously the John Lewis ad is a prime example. The John Lewis Christmas ad has become more than just an advert, it’s become an event. For many people it is one of the first genuine signs that Christmas is upon us whereas previously that accolade used to belong to Coca Cola with their iconic ‘Holidays are coming’ advert. John Lewis have made themselves the go to ad with the right balance of class, cuteness and emotion.
The John Lewis Christmas ad has become more than just an advert, it’s become an event.
This years offering is no different. Monty the Penguin has already become a household name and supplies of his plush counterpart are flying off the shelves. However the crown of most touching advert has been well and truly swiped from underneath John Lewis’ nose and plonked on the head of one Mr J Sainsbury.
The supermarket’s festive offering ties in with the 100 year anniversary of the start of the First World War, featuring the message that Christmas is a time for sharing, no matter what the situation. Although beautifully shot and profoundly heart-warming, the ad has unsurprisingly received its fair share of criticism with some remarking that it is cynical and disrespectful.
Christmas advertising, mainly due to an increasing dominance of commercialism has become a key part of Christmas, like it or not. During Christmases of old, people used to gather round a board game, or sit together to watch the Sound of Music for the millionth time. Now the family get together to see what festive spectacle John Lewis have put together. That is incredibly important in marketing terms. That means there is more pressure on marketers and advertisers to do something bigger than the ‘Buy this! Shop here!’ style adverts of old.
This explains why we see so many heartfelt, narrative adverts on our screens. For the big name brands and companies Christmas isn’t just about selling a single product, it’s about selling your whole company, getting people to choose you over your competitors. Therefore Christmas advertising has become more about portraying a message or a personality; about portraying the values of which your company stands for and with which Joe Public can identify. The Sainsbury’s advert is a great example of this.
Yes it might be a little bad taste given that they overall aim is to boost profits for Sainsbury’s but the advert is also in partnership with the Royal British Legion. What better way to use the power of Christmas advertising than to promote the work of such a noble charity. The ad shows that Sainsbury’s value the fallen (not that everyone else doesn’t) and that the notion of sharing at Christmas is key to the company’s image. Likewise the John Lewis advert reaffirms the messages of love and companionship; Boots celebrate the work of the nurses who work all hours; the Marks and Spencer’s ad even suggests that we turn our TV’s off and go and play outside like people did ‘when they were ‘ nipper’.
Nobody is suggesting that these are documentaries. Everyone knows they’re adverts and they’re doing it for profit. Yes the cynics will say that it’s a negative reflection of 21st century society where we focus on materialism and commercialism. But quite frankly so what? Do we all have to be quite so grumpy about it? I think it’s nice to see brands win us round with positive messages. It’s nice to grow attached to a certain advert, look at the fondness we all have for the late Linda Bellingham and her OXO adverts.
For the big name brands and companies Christmas isn’t just about selling a single product, it’s about selling your whole company
So when planning this year’s December marketing schedule we all need to remember this. People like things they can take into their hearts and minds, whether it’s funny or heart-warming. We need to think about our audience and not just about our profits. Your audience are people. People with shared experiences. This style of advertising is all about giving people just that and it’s these experiences that connect people with each other and in the world of marketing, connect people with brands.
To see what all the fuss is about some of the best (and worst) examples of Christmas marketing are on our Christmas Pinterest board .
A Picture Paints a Thousand Words
It might not come as a surprise to you that more and more stuff is going digital. This is to some degree spurned on by the sheer speed and quality of technical advancements. It wasn’t that long ago that I had to plug my laptop into the phone line to surf the interweb. Now I can check my emails whilst on the train; 10 years ago that would have blown people’s minds, either that or I’d have been burned for being a witch.
The move to digital is also fuelled by a desire to make people’s lives more convenient. Whether it’s an app that tells you how long to cook your steak for or the e-reader which lets you have all your favourite books in one place. People are reaching out for things that make their life easier.
This trend is becoming more and more dominant in the world of press. As with books, people want all their news in one handy place and in condensed formats. In June of this year (2014), The National Readership Survey estimated a decline of 13% in the readership of national newspapers, yet an article in the Guardian reported an increase in their online readership. Digital news seems to be where it’s at.
I for one am an advocate of traditional methods; I like printed books, newspapers and magazines, but when it comes to finding out about what’s happening in the world my first port of call is to check twitter. I think it’s safe to say I’m not alone. As people get busier and busier, they want things at their fingertips, in small, easily digestible nuggets. People haven’t got time to read massive news articles anymore. You probably can’t even be bothered to read this blog, but as you’re here, you might as well persevere.
Infographics are a good example of how news and press is adapting to modern life. If people can visualise a story and take in the key points instantly, why bother reading a 3 page article on it? To put it another, more simplistic way, how many of you would rather read the Very Hungry Caterpillar over, say, Crime and Punishment?
The move to digital is also fuelled by a desire to make people’s lives more convenient.
A good example of this is the BBC. Earlier this year they announced that they would be launching daily infographics on their social media channels. In an interview with Jounalism.co.uk, the BBC’s editor of Visual Journalism, Amanda Farnsworth, stated that what they were ‘trying to deliver is a really salient, interesting nugget on a big story’. She claimed that the world of infographics was an answer to the question of covering the same story across all media platforms. Farnsworth added that “Visual journalism meets three audience challenges: distinctiveness; a modern and lively way to treat news stories; and an aid to understanding” with infographics ticking ‘all the boxes’.
It’s not just the BBC. More and more news sites are utilizing infographics to tell a story. Since the 6th October we found 8 infographics featured on the travel section of the MailOnline online, most of which were PR stories.
PR stories are one area of news that have always done well when in infographic form. As PR survey gurus… *cough* …we have first-hand experience of this. The British Airways infographic that we curated alongside our own design team, Drench, was featured on the MailOnline. Likewise the one we created for Monarch Airlines featured on Yahoo, as did our infographics for OnePoll and Tecmark. Both the Monarch and British Airways were also featured on infographic site Visual.ly, with the Monarch example making the homepage.
It is indisputable that infographics are becoming more and more popular, which is why we recommend using them in your campaigns. Visual media can transform a simple survey story into an online hit due to their readability and easily digestible content. Not only that but they can be split up into bite size chunks to either break up text or for use on social media.
We’re so enthusiastic about infographics that we have News-By-Design, our own site dedicated to showcasing both our own infographics and other excellent examples from around the web. The site is a true statement about just how popular infographics are and that is not just us showing off. The site has a huge following on both Twitter and Pinterest, including journalists and PRs within its diverse fan base.
Whether it’s a story about cats or a hard hitting piece about Ebola, News-By-Design really has covered it all. That is for one reason, and one reason only….because infographics work for every sort of story. There’s even one about why visual data works so well which is pleasingly topical. The infographics we have produced for clients have covered everything from yoghurt to back up relationships, from smartphone obsessions to vegetables. There really is no limit. All you need is an idea, some stats, and a design team……now if only there was a company that could do all that….
All I Want for Christmas
Well, it’s that time of year again – the days are getting shorter, flip flops are being replaced by boots and some shops have started to put their Christmas cards on display.
But while everyone else mourns the end of summer, for the world of PR, this means the start of a flurry of Christmas-themed activity.
It’s a time of year when brands selling everything from toys and food to gadgets and clothes are desperate for coverage.
We have already brainstormed several Christmas briefs, and at least one festive survey has been written ready for some December coverage.
I’m sure this is only the first of many to come in over the next few of weeks.
However, while Christmas is a huge event in the PR world, to newspapers, it’s not a such a big deal.
Although the papers do sometimes get into the spirit of it, they know it’s a time when they are going to be inundated with stories about the festive period – some from brands with an obvious and fitting link to the occasion, but others less so.
All this means is fed-up news editors reading Christmas story after Christmas story, feeling less festive as the day goes on and as a result, probably giving the story less coverage than we were hoping for.
PR as an industry is obsessed with a calendar of ‘key’ dates – Valentine’s Day, Mother’s Day, Easter, Father’s Day, the summer holidays, back to school, the clocks changing, Halloween, Christmas – the list is endless.
while Christmas is a huge event in the PR world, to newspapers, it’s not a such a big deal
But rather than leading to some great coverage, the reality is that your ‘brilliantly timed’ story about said calendar date ends up just one of many similarly themed releases landing on the news desk that day.
The papers are only ever going to run one, or if you’re lucky, two stories around the same theme each day, so the competition for space around these key events is huge.
And at Christmas, although there may be more space dedicated to the day, the most the papers are going to run is one page of festive stories – or perhaps two in the days immediately before the big day.
Coupled with the usual battle survey-based or PR led stories face day-to-day, there are likely to be quite a few disappointed brands this December.
So why do it? Why spend hours working on getting the story perfect, when there are probably hundreds of other PRs working on pretty much the exact same story.
Our advice is simple. By all means, send out a story to get your toy client that much-needed coverage as the present buying rush begins – but try and avoid anything which talks specifically about buying toys at Christmas.
Broaden it out as much as possible – instead of present buying for children, do something based generally on parenting, youngsters or families.
And instead of a Father’s Day story looking at the gifts unlucky dads always get landed with, do something which simply talks about dads.
Doing something which would fit on a page at any other time of the year, rather than only on a certain day, will give it much more chance of being picked up and landing on a page.
Try and avoid anything which talks specifically about buying toys at Christmas.
Not only will it face less competition for those valued column inches, but it will probably be the only release a journalist has seen that day which isn’t piggy-backing onto a ‘key date’.
Hopefully this means your story will be the one which gets coverage at a very competitive time of the year.